Masterful memories

The Grand Mosque is such an imposing structure, that it’s hard to imagine it ever being perceived as ‘subtle’. But that is exactly how one artist is depicting one of the Middle East’s greatest landmarks and it’s making a big impact.

Jocelyn Lewisham’s abstract pieces are gaining quite a following. What at first glance appears to be a delightful mesh of movement and colour, soon reveals the unmistakable outline of the modern icon.

“It is subtle but once your eye catches the lines it ‘pops’ out at you and then it appears in all its beauty,” she says.

Using only her memory to visualise the centerpiece of the nation’s capital, Lewisham uses a technique known as ’Impasto’. Her tool of choice is not a brush but a knife.  She also uses several other utensils, but is reluctant to reveal what they are, the result defining and protecting her unique style.  The acrylic texture literally makes you want to reach out and touch it. “Many children actually do! Adults would like to but usually show a little more restraint,” she says.

The Grand Mosque interpretation appeals equally to UAE nationals and expats, she adds stating, “the locals have a true spiritual connection, whilst the expats see it more as a tangible reminder of their time here in the Middle East.”

Two pieces have been supplied to the Abu Dhabi Sport Council’s Horse Racing Endurance Project, though she is equally proud that her canvases adorn walls in homes across many countries including the United States, Belgium, England and Australia. They’re a discreet yet powerful memory for expats who have moved on.

Relocating from New Zealand to Dubai five years ago inspired Lewisham to return to painting after a 10 year break to help run a family business and raise two children. Now painting most days of the week, her collections also include Abu Dhabi and Dubai streetscapes. She openly admits to being obsessed. “When I paint I lose myself. I’m pouring energy on to the canvas. It’s a sense of freedom that I think people can feel, and it grabs them.” Recently she has been bringing her works to the weekend market on Yas Marina and is enjoying the exposure and interaction with a whole new audience.

Her signature ‘one-off’ pieces can be found hanging in boutique galleries but she relishes the opportunity to recreate them in greater quantities for local markets. “I love them. It allows me to talk with people and to see their reaction first hand. It feeds my creativity and it gives people access to original affordable art.

“To have someone buy my work is a great compliment and financially allows me to continue. But to have my painting ‘speak’ to another person brings a satisfaction that is hard to describe.”

It’s why she insists she doesn’t ever tire of painting the Mosque.

“I have had people weep when they make the connection lying within the colours. If it’s touching people, I will keep doing them.

“I paint a feeling not a picture. It may not be everyone’s taste but it certainly engages people.”

Kellie Curtain